This article offers a new line drawing and photographs of the saltimbanques and musicians depicted in register II of the Arjan Bowl (c. 600 BC) housed at the National Museum of Iran and briefly investigates their social role within a broader Near Eastern context. At the same time, it frames the significance of these Elamite performers from ancient Iran in historical Western traditions of entertainment and artistic production
Alvarez - mon,J. (2021). Between Picasso and Piradi On tour with Saltimbanques and Musicians from ancient Iran (c. 600 Bc). Journal of Iran National Museum, 2(1), 129-140. doi: 10.22034/jinm.2021.252914
MLA
Alvarez - mon,J. . "Between Picasso and Piradi On tour with Saltimbanques and Musicians from ancient Iran (c. 600 Bc)", Journal of Iran National Museum, 2, 1, 2021, 129-140. doi: 10.22034/jinm.2021.252914
HARVARD
Alvarez - mon J. (2021). 'Between Picasso and Piradi On tour with Saltimbanques and Musicians from ancient Iran (c. 600 Bc)', Journal of Iran National Museum, 2(1), pp. 129-140. doi: 10.22034/jinm.2021.252914
CHICAGO
J. Alvarez - mon, "Between Picasso and Piradi On tour with Saltimbanques and Musicians from ancient Iran (c. 600 Bc)," Journal of Iran National Museum, 2 1 (2021): 129-140, doi: 10.22034/jinm.2021.252914
VANCOUVER
Alvarez - mon J. Between Picasso and Piradi On tour with Saltimbanques and Musicians from ancient Iran (c. 600 Bc). Journal of Iran National Museum, 2021; 2(1): 129-140. doi: 10.22034/jinm.2021.252914
